Crim has baggage: expectation, history, responsibility.

My drumming is always an experiment.

I remember a West Coast run with Madness and another with Adam Ant, later a long run through the Midwest with Berlin and a few gigs with Eurythmics.

After Crimson finished in 1996 and I returned home I went in search of education to address several of my many musical weaknesses.

After I helped on P4 mixing and saw how things were being done I offered to take care of Project 3, and on it went from there. Plus I'm way cheap.

Here's the exact date: The day I got word we were dropped by the label was on Monday 25th September 1990, a year later than I remembered!

We have a very loyal fan base, the kind tat buys the record the day it comes out, sees every show, and that's fantastic, but what about the people who would never hear about our band?

If Bill jumps into something that relies on a lot of cymbals, I'll jump into something that relies on a lot of skin sounds; if he goes into metal tones, I'll go into wood, and so on. I basically play in his holes.

Not really, drums found me, I just liked music, all kinds of music.

My roots are more in he Beatles, Zeppelin, the whole 60's side.